Lodged in a regal 18th-century edifice, Nancy's standout gallery occupies art lovers for hours. A wrought-iron staircase curls gracefully up to the 2nd floor, where a chronological spin begins with 14th- to 17th-century paintings by the likes of Perugino, Tintoretto and Jan van Hemessen. The 1st floor spotlights 17th- to 19th-century masterpieces of the Rubens, Monet, Picasso and Caravaggio ilk. A collection of Jean Prouvé furnishings, impressionist and modern art and a dazzling Daum crystal collection hide in the basement.
Highlights in the 1st- and 2nd-floor picture galleries include Mello da Gubbio's 14th-century altarpiece, Perugino's Renaissance Madonna and Child with two Angels (1505), Rubens' lucid, large-scale Transfiguration (1603), showing Jesus radiant on a mountain, and Caravaggio's dramatic chiaroscuro Annunciation (1607).
The basement Jean Prouvé Collection homes in on the pared-down aesthetic of Nancy-born architect and designer Jean Prouvé (1901–84), and displays a selection of Prouvé’s furniture, architectural elements, ironwork and graphic works. Here you will also find the peerless Daum Collection, which is displayed in a dark, spotlit gallery that shows off the glassware to great effect and is cleverly set against the backdrop of Nancy's late-medieval city walls. Trace Daum through the ages – from the sinuous, naturalistic forms of art nouveau to the clean colours and restrained lines of contemporary crystal.
The downstairs picture gallery wings you into the 19th and 20th centuries with an excellent portfolio of works, among them Eugène Delacroix' Battle of Nancy (1831), Monet's dreamy Étretat, Sunset (1883) and Picasso's Homme et femme (1971), one of his final portraits.
