Give it a try: why you need to discover Porto's worst architecture on this tour
Mar 15, 2023 鈥 5 min read
Pedro, the host of "The Worst Tours" in Porto 漏 Austin Bush
香港六合彩即时开奖鈥檚 鈥淕ive It a Try鈥 series makes a case for mainstream travel experiences that most consider too touristy or unsophisticated. Austin Bush discovers why Porto鈥檚 鈥淲orst Tour鈥 might be the perfect way to get under the skin of Portugal鈥檚 second city.
Walking tours are undoubtedly one of the best ways to get your bearings in a new city. But what about a tour that bills itself as 鈥渙ne of the worst tours in the world...or at least in Porto鈥? It doesn鈥檛 sound promising, especially when the website blurb asks visitors to 鈥渓ower your expectations.鈥
Nonetheless, I was intrigued.
Meet Pedro, the host of the 鈥渨orst tour in the world鈥
Upon meeting him, Pedro Figueiredo seemed, quite frankly, a bit flustered. Perhaps even unprepared. But this is part of the charm of , a set of eclectic, frenetic, architecture-focused walks he leads around Porto, Portugal.
A former architecture student and occasional architect today, Pedro started the tours with two colleagues back in 2012. They鈥檝e since moved on to different projects; these days, The Worst Tours is just Pedro.
We meet in late January at Jardim Marques de Oliveira, Porto鈥檚 oldest public park, where Pedro pulls out a binder stuffed with hand-drawn maps, architectural drawings peppered with notes, black-and-white photos with scribbled text and color-coded documents that looked like they might have top-secret classification. The binder will reappear several more times during our walk.
鈥淲e are Portugal! We copy and paste from other places鈥
鈥淗ave you been to the city center?鈥 Pedro asks us, essentially a rhetorical question as our walk would not focus on Porto鈥檚 big-hitter sights. Instead, Pedro refers to one of his custom maps and explains that we will be spending most of our time just east of the city鈥檚 historical center, in an area known as Bonfim.
Bonfim was at one time a bourgeois neighborhood, Pedro tells us, something still apparent today in the smattering of imposing mansions built by the wealth extracted from Portugal鈥檚 colonies, especially Brazil, in the 18th and 19th centuries. Walking past these massive private homes with large-scale doors prompts Pedro to comment, 鈥淲elcome to Porto, the only city with big doors and small people!鈥
He explains that industrialization in the 20th century led to the area鈥檚 depopulation and the abandonment of many of the houses. It鈥檚 only in the last decade, via increasing gentrification, Pedro tells us, that this once-elegant neighborhood is again returning to its former glory.
In addition to mansions, Bonfim is also home to row houses, and we walk past charming, narrow-fronted, typically tile-fronted structures. Pedro points out buildings with architectural influences imported from Amsterdam, Paris, and London saying, 鈥淲e are Portugal! We copy and paste from other places, and things arrive here late!鈥 Pedro tells us that in addition to serving an aesthetic purpose, ceramic tiles act as a 鈥渏acket鈥 in cold, often wet Porto, protecting porous granite buildings from the damp.
鈥淭his is the worst tour of the day鈥
In line with Pedro鈥檚 vibe, our tour didn鈥檛 follow any chronological timeline. Rather, we popped into whatever building or structure that seemed to appeal to him in that moment. A former 18-century convent turned library had beautiful wall tiles (鈥渢iles are 鈥榗ultural appropriation鈥 from the Moors!鈥). And while semi-abandoned mall Centro Commercial STOP revealed elements of its former life as an 鈥80s- and 鈥90s-era shopping center, in recent years the space has been reappropriated as a rehearsal space for bands. As we somewhat warily proceed up a dark, graffiti-lined stairway to the beat of a kick drum, Pedro exclaims, 鈥淭his is the worst tour of the day!鈥
Stopping for coffee gives us the chance to ask Pedro about the topic most fascinating to visitors of any city: real estate. Porto has seen massive increases in rents and real estate prices in recent years, putting a squeeze on locals. He explains that, between 1916 and 2012, there was essentially no rental market in Porto, as rents were controlled by the state. It was only after the financial meltdown and Portugal鈥檚 2011 bailout from the IMF that the city鈥檚 rental market was liberalized.
Tourism followed, and today rents in Porto are, according to Pedro, 鈥渂ipolar鈥 鈥 either comically cheap or far out of reach for most locals. Pedro himself was lucky enough to have secured a loan to buy an apartment, but he tells us about a friend who鈥檚 struggling to find an apartment for under 鈧800 (minimum wage in Portugal is 鈧760 per month). I ask Pedro how he thinks tourism has affected the city.
鈥淭he last 10 years of tourism have been bad and good,鈥 he says. 鈥淕entrification has led to housing prices being the highest we鈥檝e ever seen. But there鈥檚 lots of renovation, which has led to more work for architects.鈥
A graveyard of dad jokes
A walk through a graveyard is peppered with dad jokes and self-deprecating quips (鈥渨e are the worst tour 鈥 we show you the ugly things!鈥) before we emerge at one of Porto鈥檚 dramatic riverside cliffs. From a formerly bourgeois, now increasingly gentrified neighborhood, we鈥檝e entered one of Porto's 500 ilhas or 鈥渋slands鈥: informal (and sometimes illegal) low-income communities that Pedro refers to as 鈥減roletariat Airbnbs.鈥 He points out a row of shared toilets that boast astounding views over the Douro River by stating, 鈥淲elcome to Porto!鈥
鈥淥ne more moment to bore you with this shit,鈥 says Pedro as he opens his binder for the last time. He shows us diagrams illustrating how growth, industry and economics that have shaped Porto鈥檚 architecture, drawing parallels, for example, between the ring-like formation of the convent we visited the donut-like form of the city鈥檚 contemporary sprawl.
We have arrived at Porto鈥檚 S茫o Bento Train Station, our only foray into the city center and the terminus of The Worst Tour. We pay what we think is fair (Pedro works on tips); Pedro walks away. I can only assume he鈥檚 setting off in a frenetic, distinctly indirect line, peeking in a foyer or two along the way to admire the tiles.
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